‘PROJECT 2021-2024
yume / dreams the perfect art of imperfection
leaving something incomplete makes it interesting and gives one the feeling that there’s room for growth – Yoshida Kenko
traveling to Japan which was always on my toplist fell apart through a chronicle illness in 2020. after a while i noticed that, if i wanted to move on, i had to change my way of thinking. how could i make my japanese journey without traveling? i turned my little studio into an unknown Japan. i started to make little objects and slowly came across a complete new way of mindset and working. i was not looking to imitate the Japanese artists or making Japanese art, but i was hoping to get a feeling that i was traveling through Japan while i was creating and i’d tried to get close to the way the japanese work: using pure material, working in a different pace and in complete silence
working, away from all the hectic of the rushing madness of the world outside
now I take my photography only at my studio, i make small objects, use natural strange light and combine them, i let the moment and work speak for me. they also go far beyond my first idea of traveling to Japan. next to photography
i make many collages and paintings. YUME, dreams ( japanese ). my (day) dreams gave me ideas for machines and musical instruments, buildings (like ode to carlo scarpa, rietveld), skeletons of boats, war material and war memories,destroyed nature by hurricanes, ideas for mountains and skies and design collectables. i see my work as poetry, perceptions of the mind and objects for rethinking the world we are living in
hoping there will be an interest for an exhibition in the near future for this YUME project
on appointment, my studio is open to view my art and have a conversation with me, which gives a much overall idea what kind of artist that i’am
different sizes, material: iron, wood, plastic, wire, bamboo, paint, rope, paper, ceramic and textile
PROJECT 2023-2024
verborgen in de bovenkamer
nu ik gedwongen ben om meer naar binnen te kijken, put ik er meer energie uit
hoe kan ik mijn zeldzame ziekte omzetten tot beeldende kunst? Op deze pagina kunt u geregeld de vorderingen van dit project volgen. In januari 2025 is er de tentoonstelling bij Pennings Foundation Eindhoven, hierover later meer ( het project komt mede tot stand door een financiële bijdrage van o.a. Cultuur Eindhoven )
iedere dag schrijf, schets of denk ik na over mijn project. het is geen gemakkelijk proces omdat het veel van mezelf vraagt. ik probeer zoveel mogelijk informatie bij elkaar te verzamelen die ik in de vier jaar van mijn ziek zijn, heb vergaart. het ordenen kost tijd en vraagt om een heldere geest, die nog steeds, door mijn ziekte, vaag is. mijn energie is er niet echt om volop door te kunnen werken en mijn gedachten ontglippen me nog vaak waardoor concentratie moeilijk blijft. toch is het heerlijk om weer, na vier jaar, aan een project te kunnen werken. geregeld (dag) droom ik van een groter atelier om een beter beeld te kunnen krijgen tijdens het maakproces. mijn atelier is overladen en overvol met allerlei werk van mijn Japan (yume) project, dat ook nog vorm moet krijgen en ik heb niet echt n opslagplek. het blijft hierdoor ‘groot denken en klein maken. het vergt een andere mindset
hidden in the upper room
now I’m forced to look more inside of me, I get more energy out of it
how can I turn my rare Illness into art? On this page, you can follow the progress of my new project. in januari 2025 there will be an exhibition at Pennings Foundation Eindhoven NL
PROJECT 2020
bus stop Mississippi
installation
docfeed doc and art festival Lab1 Eindhoven
i left my luggage, took my analogue camera and got out of the greyhound bus, just like all the black passengers did. again another bus stop during my journey through the south part of America
click.
an ambulance and in the distance a wooden sign with a painted cross. in the reflection of a window i saw iron rings hanging from a tree and suddenly i’d noticed where i was: a place in mississippi where the KKK killed three young activists in 1964, two white boys and one black, shot dead and buried somewhere at the swamp
click. click.
This story comes from my new book ‘regenengelen’
in 1988 Alan Parker made the film mississippi burning about this story, starring gene hackman.
this exhibition tells not only this short story, in a documentary-esque way, but i also ask myself: what has changed through the years?
PROJECT 2017
filia
installation
international BIENNALE oosterhout
this biennale is about the mother – child relation where all the international exhibitors show their own vision of this intimate relationship
next to my installation, i wrote the small book ‘filia’
PROJECT 2016
klanken van een oude piano / sounds of an old piano
installation
hilvaria studio’s hilvarenbeek
what happens if i make a comparison between an old man and an old piano? what kind of stories do they tell, together or seperatly?
PROJECT 1999
birinci
architectural project with German architect Dagmar Leineke.
The restauration of an old traditional Turkisch house at the centre of Turkey. the house was given the name ‘birinci’ (the first one). the old building was set into rocks and caves and it was a different way of rebuild it. during the time that we worked on this project, we saved an old donkey ‘ararat’ – named after the mountain in east Turkey where the ‘ark of noah’ seemed to be hidden. we also build a artstudio and a gallery room. together with platform-c, a large group of foreign artist and architects, there was a large exhibition in the area. i was one of the exhibitors with photographs of street children. photo’s that i printed, coloured and reprinted in a different way. the Japanese photographer ‘nakazato katsuhito’ was also an exhibitor. he made great photobooks like: de chirico’s shadow, the man-made wilderness of tokyo bay, portraits of sheds. since then we’re still in contact. the house birinci is now a warm, romantic and superb place
the story of birinci is also part of my book ‘regenengelen’
photos show parts of the restauration
art photographs of streetchildren of capadocia 1999
PROJECT
this space is reserved for a new project